Showing posts with label Christmas. Show all posts
Showing posts with label Christmas. Show all posts

Monday, December 20, 2010

Christmas Stories - Charles Dickens

"...and it was always said of him that he knew how to keep Christmas well, if any man alive possessed the knowledge. May that be truly said of us, and all of us! And so, as Tiny Tim observed, God Bless Us, Every One!"

Last year around this time I focused on one of my ironic choices for Christmas reading by discussion what I consider to be the antithesis to Dickens; James Joyce's The Dead, but in the charitable spirit of the season I think I will break my miserly tradition and embrace the tale which has come to define, in more ways than one, the Spirit of the Christmas season.

Whenever we think of Charles Dickens, especially around December, immediately images crop up of faces in door knockers and frail children making exclamations of blessing. I enjoy a hearty rendering of A Christmas Carol as well as the next bloke, but I get the sense that our preoccupation with Ebenezer Scrooge's humbugging often obscures Dickens' literary preoccupation with the meaning of Christmas. This is not to downplay one of the Victorian author's most iconic tales; in fact, I almost feel that many of Dickens' other Christmassy short stories are searching for some kind of meaning in the winter holidays; a search that reached its culmination in the message of generosity and kindness that has come to epitomize nearly every piece of Christmas entertainment since the composition of A Christmas Carol. Indeed, one can find Ebeneezer Scrooge in any number of cinematic and literary incarnations from Dr. Seuss' Grinch to National Lampoons' Clark Griswold. Some of these incarnations are more overt than others but all point to the profound effect that Dickens' Victorian holiday narrative has had upon the cultural discourse of the English speaking world.

What one must, of course, consider here is to what extent we are willing to accept this particular holiday message. Most people will agree that the progression of Scrooge's character from miserly grouch to generous chap is a positive message for anyone during the Christmas season but we have to wonder if this particular narrative coincides or muscles out the intended meaning of the Christmas Holiday. The term holiday of course is an old portmanteau of Holy Day; a day reserved for the catholic (and later Anglican) Christ's Mass which was a period of community celebration that fit nicely into the December church calendar.

The importance of this holy-day, of course, was the celebration of the incarnation of the Christian messiah; the moment at which God committed a part of himself to earthly existence in order to demonstrate to humankind the significance of his willingness for self-sacrifice on their behalf. While the life of Christ as we understand it in the gospels certainly demonstrated values that undoubtedly align themselves with Dickens' narrative, the holiday itself seems to represent a significantly different narrative. At what point does our appreciation for God's mercy become supplanted by a sense of social generosity? According to some sources (and admittedly I have not done much research beyond wikipedia. So sue me) it is with Dickens.

Of course it would be too much to blame the prolific Victorian author with the sad slide toward the commercialization of a formerly sacred holiday but the circumstances surrounding this shift must make one think. That said, I cannot in my right mind diminish the importance of a holiday that emphasizes a general sense of unselfishness. Perhaps this is the way in which we may justify the holy-day to the holiday. In either case, on a literary level I must admit that I'll never stop reveling in the lush spirit of Dickens' Christmases, past, present, and future and the ghosts, holy or otherwise, that descend upon us with the snow of late December.

Tuesday, December 22, 2009

The Dead - James Joyce

"His soul swooned slowly as he heard the snow falling faintly through the universe and faintly falling like the descent of their last end, upon all the living and the dead"

In observation of the Christmas season this week I will take a brief break from my Ray Bradbury series to discuss what I find to be a very poingiant if somewhat ironic Christmas tale.




When most think of literature around Christmas thoughts tend to jump immediately to either Dr. Seuss or Charles Dickens and while I love my Grinch and Scrooge I find myself year after year drawn instead to the final tale in James Joyce's book The Dubliners. While I plan to blog about this book in its entirety at some point I do think I must first preface my experience of "The Dead."

Sometime in Autumn of 2004 while studying abroad in London some friends and I decided to take a weekend trip to Dublin. Naturally our first destination was the Guinness Brewery and after some wandering back and forth across the Liffey, stopping whenever we saw landmarks from Ulysses imbedded in the sidewalk and keeping as warm as possible we arrived at the brewery gates. After taking the brewery tour we boarded an elevator which took us to a circular room overlooking the entirety of Dublin. We were handed our complimentary pint and walked over to one window to raise our glasses to Arthur Guinness. When I looked up I saw that the glass had frosted letters on it which read: "The Wellington Monument wore a gleaming cap of snow that flashed westward over the white field of Fifteen Acres." Looking past the letters I could see a stone spire peeping up amidst the houses and trees of darkening Dublin and though snow was not yet resting upon it my spine chilled nonetheless.

I am sure that this experience is what first brought me to "The Dead" around Christmastime. But is its appropriateness within human experience that continues to draw me back. If you think about it, stories like The Grinch and A Christmas Carol tend to emphasize the redemption of fallen mankind through the poigniant change of attitude in each tale's protagonist; a theme which is undoubtedly repeated in almost every modern holiday film in which Christmas as a concept must be 'saved' again and again.

"The Dead" offers a very different story. Purposefully placed at the end of The Dubliners "The Dead" emphasizes an ultimate acceptance of the Wintertime of life. Winter is not a time of rebirth and renewal but a time when leaves fall dead upon the ground and trees remain bare and lifeless until the new year allows the cycle to begin again. But this is not an ending to be mourned, it is a simple fact of life that follows poigniantly after all other points have been made, accounts have been settled, and all inconsistencies in life must be accepted for what they are since our time left is too short to pine away. Gretta mourns the death of Michael Furey not because she wishes him alive but because he was a chapter in her life that has unalterably closed. Gabriel, in a way, represents the difficulty which we have in accepting the winding down of the clock.

Don't call me Scrooge just yet. I'm by no means all gloom and doom around Christmas; very much the opposite. But perhaps it is significant to remind ourselves of the evanescence of life before we forget it completely upon the breaking of Spring.


For your viewing pleasure: a photogram of G. Matthew Varner metaphorically 
violating the shoulder blades of James Joyce but thinking about Jackson Pollock

On a more technical note: this volume was purchased at Trinity College in Dublin on the same trip I spoke about above. It was part of a set of small books that my friend Matt (pictured above) refers to as my Leprechuan Joyce set. It contains the complete works of James Joyce but I will leave further discussion on these for another day (hopefully someday I will actually get around to reading Finnegan's Wake without hemorhaging my brain). I will say that I'm not really clear on the publisher of this particular volume and I have noticed a number of typological errors throughout this volume. But you can't beat the story that goes along with it.
----
Joyce, James. "The Dead." The Dubliners. Dublin: Trinity College Press? date?